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THE DIRECTOR
WHAT THE FILM IS ABOUT
by Frédéric Gonseth
The war in Yemen has been long forgotten, and the film does not set out to resurrect it. On the other hand, the action by the International Committee of the Red Cross that grew out of it deserves to be made known. It marked the first breakthrough of humanitarian values in Islamic territory. Since then, the Muslim world's choice of adopting these values or not has remained a central, burning issue.
These first inroads were made in the sixties by André Rochat and his team of ICRC delegates and doctors. Subsequent operations have not always met with the same level of success.
ICRC missions are normally kept confidential. The participants' obligation to treat them as such is vital during operations, but from a historical perspective Rochat's first-hand account as head of the Yemen mission provided a unique opportunity to tell the ICRC's broader story. He related every detail. He had kept documents that ordinarily delegates are required to destroy. He had photographed and filmed many aspects of the adventure. Together with the archives they collected, the film crew had enough material to reconstruct all of the main events.
One of the final challenges was to confront Yemenis themselves with archive images of the civil war and the ICRC operation. By retracing Rochat's footsteps with the mission leader himself − all the way to the Jihannah cave −, the film captures the importance of the ICRC's irreplaceable struggle on behalf of prisoners of war around the world today. (Yemenis are being held at Guantanamo Bay.) Despite this, the director does not hesitate to give a filmmaker’s view of the sometimes abrasive relationship between ICRC headquarters and its field workers.
BIOGRAPHICAL SKETCH
of Frédéric Gonseth
Born in 1950 in Lausanne. Married to Catherine Azad. One child, Sémira.
Nationality: Swiss
Languages: French, German, Swiss German, English, Italian, Russian (basics)
Primary and secondary education in Lausanne
1968: high school diploma (scientific section); Edmond Gilliard prize for literature
1972: Degree in sociology from the University of Lausanne
1973-75: interned as a TV news writer in Zurich
1975-80: editor of La Brèche, a militant newspaper
From 1980: independent director-producer certified by Swiss television
Founding member of the Fondation Vaudoise-pour le Cinéma; founding member and current president of the Association Romande du Cinéma (ARC); founding member and president of the Archimob association
| 2008/2009 |
Le Mékong en blouses blanches, doc TV, 52 min. 2009 |
| 2008 |
Prix Suisseculture 2008 |
| 2008 |
La Citadelle humanitaire, doc cinema, 90 min. 2008 |
| 2005 |
La Nouvelle Loïse, projet de scénario de fiction, prix SSA (Locarno)
Gros mots, petits sabots, doc, 88m. (codirected with Catherine Azad) |
| 2004 |
Regards en arrière/Rückblickend, 3 films of 15 m. for collection “ archimob ” |
| 2003 |
Mission en enfer, doc, 95 min. |
| 2002 |
Archives de la mobilisation, action de recueil de 555 témoins de la Deuxième Guerre mondiale en Suisse
Les Barricades mystérieuses, doc lm, 74 min (co-réalisé avec Catherine Azad) |
| 2000 |
La Cité Animale, doc, 52 min (TV) et 70 min (film) (co-réalisé avec Catherine Azad) |
| 1999 |
Longues Oreilles - spécial Bertrand Piccard, doc 22 min 1998
Longues Oreilles en Suisse orientale et au Tessin, série TV 300 min 1997
Ce Fou de Töpffer, doc et fiction TV, reportage fantaisie, 56 min
Les Frissons du Hasard, production d’un doc lm (77 min) en plusieurs parties sur les loteries dans le monde, réalisation de l’épisode “ Géorgie ” (20 min)
Esclaves d’Hitler/Hitlers Sklaven, doc lm, 75 min (version ARTE 58 min)
La Montagne Muette, doc & fiction lm, 95 min
Longues Oreilles en Suisse Romande, série documentaire “ TV en marche ” de 25 x10 min |
| 1994 |
Le Ciel et la Boue /Bauen war mein Leben, doc lm, 90 min
Choeurs en balade, reportage TV, 25 min |
| 1992 |
L’Ukraine à petits pas, doc lm, 105 min (co-réalisé avec Catherine Azad) |
| 1991 |
Escapade moldave, reportage TV, 25 min (co-réalisé avec Catherine Azad)
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| 1989 |
Histoire du Franc suisse, doc cm pour la BNS, 25 min |
| 1987 |
Début de “ Frédéric Gonseth Productions ” : FOSC du 7.1.1987 p.42 |
| dès1986 |
Nombreux reportages pour les magazines de la TSR |
| 1984 |
La Voix de son oeil, fiction cm, 25 min |
| 1983 |
“ Peter Wyssbrod en direct ”, spectacles mime et comique, 60 min |
| 1981 |
La Facture d’orgue, doc lm, 60 min |
| 1971 |
L’Hypothèque, fiction lm |
| 1969 |
La Bataillère, fiction lm |
| 1968 |
Somnifia, fiction lm |
| 1967 |
La Petite est morte, fiction cm |
| 1966 |
C.-F. Ramuz, évocation des lieux, doc cm |
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